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The Asia-Pacific Media Center |

| I. Introduction |
With the changes in the global economy, the Asia-Pacific media industry can expect an ever-broadening range of opportunities. The global media industry is moving steadily toward multimedia, cross-industry, and multinational development, and the market potential for the Asia-Pacific region has increasingly become a focus of attention. Developments in this industry have been led largely by Western countries, especially the United States, whose international presence has overshadowed much of the Asia-Pacific media. The government of the Republic of China is promoting Taiwan as a regional center for the Chinese-language market to secure a prominent international position.
The ROC's Asia-Pacific media center project is focused on media integration, that is, developing a regional media industry which incorporates satellite and cable television and positions Taiwan as a major producer and provider of Chinese-language TV programs and films in the Asia-Pacific region. Taiwan will thus have greater access to important news and business information and play a leading role in East Asia's media market in the next century. At the same time, the ROC's support for such international values as diversity, dynamism, and self-determination has created the cultural environment essential for an Asia-Pacific media center.
The planning and promotion of the Asia-Pacific media center project began in 1995. Guided by the principles of globalization and liberalization, the ROC government has improved the operational environment for media enterprises and lifted unnecessary restrictions. By enhancing the free flow of labor, materials, and capital, this project will establish an environment that is even more conducive to media development. Much innovative and creative work is currently underway.
Guided by an incremental strategy
of planning and review, the project formally entered its second stage in
August 1997. During this crucial period, the government has improved the
environment for the media industry development, attracted more international
media to Taiwan, and encouraged local media businesses to center their
investment and operations in Taiwan. All these efforts are part of the
government's plan to establish a comprehensive Chinese-language media production
environment.
| II. Development trends in the international media industry |
Currently, there are four major development trends in the media industry: deregulation, globalization, conglomeration, and consolidation. Conglomeration and cooperation have promoted the integration of the film, over-the-air television, cable television, computers and information, telecommunications, and electronic entertainment industries. Satellite and cable television are emerging as the major media for disseminating information in the 21st century. Major development trends in the international media industry include:
| III. The ROC film and television industries |
The ROC film industry prospered in
the 1970s, when over 200 movies were produced annually, making Taiwan the
third largest film producer in the world after Japan and India. In recent
years, however, rapid changes in society, keen competition from new media,
and an increasing variety of leisure activities have resulted in a decline
in the number of new films and the number of cinemas. In 1999, only 16
films were produced, a clear indication of the serious decline of the ROC
motion picture industry.
The Government Information Office has attempted to stimulate the domestic motion picture industry. Although the number of domestic films has not increased significantly in number, the quality of Taiwan's films has improved remarkably. In the first nine months of 2000, for example, the ROC film industry selected or approved 156 entries, including The Personals, for submission to the Rotterdam Film Festival and 42 other international film festivals. Light and Darkness won the Best Film award and the Fipresci Prize at the Singapore International Film Festival, and Edward Yang was selected the Best Director for A One and a Two at the 2000 Cannes International Film Festival. In 1999, a total of 14 ROC movies, including The River, participated in the Rotterdam Film Festival and 51 other international film festivals. The Hole won the Fipresci Prize at the Cannes International Film Festival, the premier Golden Hugo award at the Chicago International Film Festival, and Best Film, Best Director, and Best Actress at the Singapore International Film Festival. Super Citizen Ko won the Special Jury Prize at the Singapore International Film Festival. At the Asia-Pacific Film Festival, the Flowers of Shanghai received the Asia-Pacific Best Director and Best Art Direction awards. Bad Girl Trilogy won the Special Jury Prize.
For fiscal 2000, the GIO has allocated
NT$180 million (US$5.7 million) to the Guidance Fund for Domestically Produced
Films. A total of NT$120 million (US$3.8 million) will be used to encourage
and assist outstanding film projects, while NT$60 million (US$1.9 million)
will be used to improve the film industry. Because creativity and film
production are closely related, the allocation is expected to help raise
the production quality of local films, encourage good management in the
film industry, strengthen competitiveness of local films, and improve the
overall development of the ROC's film industry.
In addition to the 29 radio
stations already in operation, beginning in 1993 establishment permits
were issued in eight batches to 46 FM regional stations limited to a service
area of 20 kilometers, 67 FM community stations limited to a service area
of five kilometers, an FM national station with an unlimited service area,
three AM stations, and an FM station in Kinmen.
However, the Taiwan International Broadcasting Company, Ltd. relinquished its right to establish an FM national radio station, while the Voice of the Consumer Foundation also decided not to continue its plan to establish a community radio station. The Tsuifeng Broadcasting Company had its establishment permit revoked by the GIO because the station was unable to maintain its schedule. In May 1999, the GIO again released a batch of 72 frequencies, including 42 for regional stations and 30 for community stations. Of these, nine were allocated for aboriginal and Hakka programs and seven for the National Education Radio network. Applications are reviewed by the Radio Station Review Committee in three stages.
In June 2000, the GIO announced that four radio stations were approved for aboriginal and Hakka programming. The application processing schedule for the other regional and community radio stations is as follows:
Of the 72 frequencies released in
the ninth batch, three in Hualien did not attract any applicants, while
applications for the Hualien and Taitung stations failed to pass the second
review. Therefore, to meet the needs of selected ethnic groups and people
in remote areas, the GIO announced that it would again open these five
FM frequencies for regional and community station applications in a tenth
batch. These stations will serve Hakka and aboriginal audiences in Hualien
and Taitung. Applications will be accepted from January 3 to 18, 2001.
Until recently, the ROC had three
over-the-air television stations: Taiwan Television Enterprise, the China
Television Company, and the Chinese Television System, which were founded
in 1962, 1969 and 1971, respectively. In January 1994, the GIO announced
that it would allow a fourth nationwide broadcast television station to
be established, and after approval in June of the following year, Formosa
Television began broadcasting in June 1997. On July 1, 1998, the Public
Television Service went on the air with non-commercial programming. Only
about one-fifth of total programming broadcast by these stations is from
foreign sources.
Cable television, previously referred
to as "the fourth station," has been gaining in popularity ever since it
first appeared in 1969. Sweeping changes have occurred since the passing
of the Cable Television Law in August 1993 and the Temporary Regulations
Governing Cable Program Transmission Systems in November 1993. Today, Taiwan
has 25 cable program transmission systems, each providing an average of
more than 70 channels. There are 51 designated cable service areas islandwide,
with one to five cable system operators serving each area. As of October
2000, there were 11 cable operator applicants, while 57 had obtained operating
permits for a "nationwide" service.
The popularity of satellite television
programs in the ROC can be traced back to the 1988 Olympics, when people
set up satellite dishes to receive the telecasts from Seoul. Since then,
satellite programming has become very common. In recent years, an increasing
number of cable TV operators have begun delivering programs by satellite,
as a means of raising program quality. As a result, satellite television
has flourished, and the integration of cable and satellite TV has allowed
television to compete internationally. There are currently over 70 cable
TV shows broadcast by satellite. To promote direct-broadcast satellite
TV development, the GIO formulated the Satellite Broadcasting Law, which
was promulgated and implemented on February 3, 1999. As of October 27,
2000, licenses were issued to four domestic direct satellite broadcasting
service operators, 55 domestic satellite broadcasting program suppliers
(covering 87 channels), three foreign direct satellite broadcasting service
operators, and 15 foreign satellite broadcasting program suppliers (covering
38 channels).
To prepare for digital television
technology, the ROC is actively promoting digital television trial broadcasting.
A promotion committee has been established, incorporating the four television
stations (Taiwan Television Enterprise, China Television Company, Chinese
Television System, and Formosa Television) and government agencies, such
as the Ministry of Economic Affairs, Ministry of Transportation and Communications,
and the Government Information Office. Nationwide digital broadcasting
is expected to be operational by December 2001, and analog systems will
be replaced by digital systems by January 2006. Both systems will be used
during the transition period. As of May 2000, the five over-the-air television
stations (including Public Television Service) were conducting trial broadcasts
for five hours daily.
| IV. Prospects for the ROC film and television industries |
The Government Information Office has studied the future development of the ROC motion picture and television industries and identified strengths, weaknesses, opportunities and threats:
| V. The design and implementation of the Asia-Pacific Media Center Plan |
Since January 1995, the Government Information Office has encouraged cooperation between the government and private sector to develop the ROC media industry. The plan includes both the electronic and print media to establish a framework for a comprehensive media system. The first stage of the plan stressed the development of the motion picture and television industries; the second stage, which began in 1998, stresses the production of Chinese-language media, including print media.
The goals of the plan are as follows:
| VI. Conclusion |
Of the three major Chinese-language film and television markets in the Asia-Pacific region, Taiwan produced 47 percent (US$1.3 billion), while Hong Kong accounted for 28 percent (US$800 million), and the Chinese mainland was responsible for 25 percent (US$700 million). In view of Taiwan's present leading position, the current opportunities, and the potential of the market, establishing Taiwan as a media center perfectly matches the needs of the domestic media industry.
The ROC has a solid foundation in the information and communications industries, especially in the development of information software and hardware, and is quick to adopt the most advanced communications technologies. This foundation makes Taiwan highly competitive in the Asia-Pacific region. With the further integration of the information and communications industries, the media center plan emphasizes the island's strengths to place the ROC in a strong position.
To develop the ROC as a media center in
the Asia-Pacific region, the government has devised a plan that extends
well into the next century. In addition to long-term economic benefits,
the development of Taiwan as a regional media center is also expected to
expand the international influence of the ROC's media, especially in the
Asia-Pacific region. In the new century, "Made in Taiwan" will extend to
the media, thus opening up new opportunities for the media industry in
Taiwan.
| Appendix I. Incentive measures for the Asia-Pacific Media Center Plan |
| Appendix II. Media Market Statistics |
| Media/Year |
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| Radio and TV | Over-the-air TV stations |
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| Publishing | Newspapers |
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| Films | Films participating foreign film festivals |
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NOTE:
*: Following the passage of the Cable Radio and Cable
Television Law, the cable systems have gradually been merged due to restriction
on the number of cable TV systems in one particular area. Therefore, the
number of cable broadcasting systems has decreased.
**: Taipei International Book Exhibition